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What We Offer
Platinum Audiolab cooks up all manners of samples and loops into finely tuned, pre-mapped, instantly loadable production kits. Our fast download server can serve you a compressed 500mb zip file in under 20 minutes over a highspeed connection. We also offer mailed CD's almost anywhere in the world, all for reasonable prices, affordable across all budgets. Take a listen to our demos to get a taste of our Platinum Quality! And take a look around our sample & loop browser to find the exact sound library you are looking for.

What We Offer

Platinum Audiolab cooks up all manners of samples and loops into finely tuned, pre-mapped, instantly loadable production kits. Our fast download server can serve you a compressed 500mb zip file in under 20 minutes over a highspeed connection. We also offer mailed CD's almost anywhere in the world, all for reasonable prices, affordable across all budgets. Take a listen to our demos to get a taste of our Platinum Quality! And take a look around our sample & loop browser to find the exact sound library you are looking for.

Instant Downloads
Almost all of our products allow you to choose an instant download delivery as an option. That means you don't have to worry about paying extra for shipping, import taxes, or packaging. What you get is all of the contents found on the disk, with documentation, sent to you instantly over a blazing-fast download server.

100% Royalty-FREE
There's nothing hidden behind legalese and long, boring end-user documentation. We're pretty straight-forward on our policy. When you, the artist, purchase any of our sample libraries, you are entitled to 100% Royalty - FREE use in your commercial and personal compositions as per our licensing agreement.

Testimonials
Got your industrial toolbox. WOW! Just listening to the wav sounds amazing, nice work. -- Goddess-Demonic

Quick Studio Tips
Having trouble getting a good vocal take? The four most common issues are: distance, projection, room character and ambient noise. Distance: the closer you are to the mic, the greater the emphasis on bass frequencies. Always finding yourself cutting the lo-end and trying to de-muddify your takes? Try stepping back atleast 5 inches from the mic. Projection: if your friends call you 'mumbles' its because you're getting vocal takes rivaling Shy-Ronnie... Speak Up! Room: reverb and room character can be added during mixing. Move the mic atleast 10 feet away from the walls in all directions. If possible, dampen the walls by hanging soft fabrics. Noise: turn off all unnecessary electronics (yes, that means your fridge as well). You may not notice the noise because you're used to it, but it'll show in your recordings.

Quick Studio Tips

Having trouble getting a good vocal take? The four most common issues are: distance, projection, room character and ambient noise. Distance: the closer you are to the mic, the greater the emphasis on bass frequencies. Always finding yourself cutting the lo-end and trying to de-muddify your takes? Try stepping back atleast 5 inches from the mic. Projection: if your friends call you 'mumbles' its because you're getting vocal takes rivaling Shy-Ronnie... Speak Up! Room: reverb and room character can be added during mixing. Move the mic atleast 10 feet away from the walls in all directions. If possible, dampen the walls by hanging soft fabrics. Noise: turn off all unnecessary electronics (yes, that means your fridge as well). You may not notice the noise because you're used to it, but it'll show in your recordings.

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All Articles & Tutorials

Getting Your Sounds to SIT IN THE MIX
Have you ever found yourself building an elaborate sampler or keyboard patch made up of layers upon layers only to be disappointed when bringing it into your mix? You find out that either it stands out over top of everything else, or else you need to bring it way down to a barely audible level, making you wonder, "dude, where's my sound?" This doesn't only happen with synthesized sounds; you may have layered your drums, vocal takes, bass or guitar parts and come to the same conclusion. This article will help you understand why this happens, and what you can do to avoid it, or if necessary, fix it in the mix.

Getting Your Sounds to SIT IN THE MIX

How To Get Your Sounds To Sit In The Mix

Have you ever found yourself building an elaborate sampler or keyboard patch made up of layers upon layers only to be disappointed when bringing it into your mix? You find out that either it stands out over top of everything else, or else you need to bring it way down to a barely audible level, making you wonder, "dude, where's my sound?" This doesn't only happen with synthesized sounds; you may have layered your drums, vocal takes, bass or guitar parts and come to the same conclusion. This article will help you understand why this happens, and what you can do to avoid it, or if necessary, fix it in the mix.

From Flat to FAT - How To Get A Kick Drum To Sound BIG
For this tutorial we are going to show you how to take a mediocre, boring, flat, or just plain wretched sounding kick drum, and magically engineer it into a bass-rattling behemoth. "But, why should I bother learning how to make my own kick drums?" you ask...Well, because, the kick drum is the corner-stone of almost all modern recordings. Check out any hip hop, rock, pop or dance track on the radio today. Front-and-center is a big, beefy kick. Since the kick drum has such high energy content, it goes a long way towards producing the perception of BIGNESS and LOUDNESS in a track. Often, you'll have a kick drum in your track that you selected...

From Flat to FAT - How To Get A Kick Drum To Sound BIG

For this tutorial we are going to show you how to take a mediocre, boring, flat, or just plain wretched sounding kick drum, and magically engineer it into a bass-rattling behemoth. "But, why should I bother learning how to make my own kick drums?" you ask...Well, because, the kick drum is the corner-stone of almost all modern recordings. Check out any hip hop, rock, pop or dance track on the radio today. Front-and-center is a big, beefy kick. Since the kick drum has such high energy content, it goes a long way towards producing the perception of BIGNESS and LOUDNESS in a track. Often, you'll have a kick drum in your track that you selected...

How To Buy The Right Soundcard / Audio Interface
Ok, so you've decided to get serious about music recording and, naturally, your first major purchase is probably going to be a good soundcard or audio interface. But, there are so many options, how do you know which is the best to choose for your particular goals/setup? While its nearly impossible to anticipate the best possible piece of gear for each particular setup out there, its a good idea to be aware of some basics before going out and purchasing something as central to your studio as the actual recording console. Read ahead and you'll likely have a better picture going forward....

How To Buy The Right Soundcard / Audio Interface

How To Choose The Best Audio Interface For Your Needs -

Ok, so you've decided to get serious about music recording and, naturally, your first major purchase is probably going to be a good soundcard or audio interface. But, there are so many options, how do you know which is the best to choose for your particular goals/setup? While its nearly impossible to anticipate the best possible piece of gear for each particular setup out there, its a good idea to be aware of some basics before going out and purchasing something as central to your studio as the actual recording console. Read ahead and you'll likely have a better picture going forward....

Burning Instructions For Akai S1000 / Universal ISOS
This is a brief tutorial showing you how to easily burn an AKAI S1000 iso (.img/.iso/.nrg/ etc). All you need is a CD-R, a CD burner and compatible burning software (free software provided if you don't have your own). This tutorial is specific to libraries downloaded from platinumaudiolab.com, but you can use these instructions to burn any S1000 ISO. All S1000 ISOS have to be either burned to disk, or mounted with mounting-software such as daemon tools or alcohol before they can be used in hardware or software samplers...

Burning Instructions For Akai S1000 / Universal ISOS

This is a brief tutorial showing you how to easily burn an AKAI S1000 iso (.img/.iso/.nrg/ etc). All you need is a CD-R, a CD burner and compatible burning software (free software provided if you don't have your own). This tutorial is specific to libraries downloaded from platinumaudiolab.com, but you can use these instructions to burn any S1000 ISO. All S1000 ISOS have to be either burned to disk, or mounted with mounting-software such as daemon tools or alcohol before they can be used in hardware or software samplers...

Installing 72-Pin RAM In Your Vintage Sampler
This tutorial is specific to installing 72-pin RAM (16MB, 32MB, 64MB, 96MB) into samplers such as, MPC3000, MPC2000(XL), Akai S-Series, Korg Triton Series, Yamaha Motif/EX/RS and others. However, many of the principles in performing ram-upgrades in general are covered here. Let's take a look...