Tutorial: Getting You Parts To Sit In The Mix

Have you ever found yourself building an elaborate sampler or keyboard patch made up of layers upon layers only to be disappointed when bringing it into your mix? You find out that either it stands out over top of everything else, or else you need to bring it way down to a barely audible level, making you wonder, “dude, where’s my sound?”

This doesn’t only happen with synthesized sounds; you may have layered your drum hits, vocal takes, bass or guitar parts and come to the same conclusion.

This article will help you understand why this happens, and what you can do to avoid it, or if necessary, fix it in the mix. You will come to learn one of the central tenets of mixing: sounds that appear great in isolation don’t necessarily sound good in the mix. The most common reason for why this happens is as follows:

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Tutorial: How To Get Your Kick To Sound BIG

For this tutorial we are going to show you how to take a mediocre, boring, flat, or just plain wretched sounding kick drum, and magically engineer it into a bass-rattling behemoth. “But, why should I bother learning how to make my own kick drums?” you ask…Well, because, the kick drum is the corner-stone of almost all modern recordings. Check out any hip hop, rock, pop or dance track on the radio today. Front-and-center is a big, beefy kick. Since the kick drum has such high energy content, it goes a long way towards producing the perception of BIGNESS and LOUDNESS in a track. Often, you’ll have a kick drum in your track that you selected for its character… but then you realize its bass output is no good in the context of the rest of your mix. At any rate, you are unlikely to escape the need to take a kick, and pump it up to the next level at some point during your recording.

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